I consider myself to be a generalist within a specialisation.
I drink the cheapest and most ordinary coffee.
I am not vegan.
I listen to all kinds of music; from Mozart to André Hazes, from Armenian duduk to bebop jazz.
I only truly dislike fusion rock.
I have a fascination for car number plates.
My favourite pen is a bic ballpoint.
My biggest wish is to ride a wild Icelandic horse in Iceland.
I have no hobbies.
2016 – 2017
Master degree Expert class Type Design at The Plantin Institute of Typography, Antwerp (Belgium)
Master degree (Type&Media), The Royal Academy of Art, The Hague (The Netherlands)
Internship at Penguin Putnam Inc., NYC. (USA)
1998 – 2002
Bachelor Typographic Design, The Royal Academy of Art, The Hague (The Netherlands)
2003 – now
Independent typographic designer, focussing on experiment and research in type and typography.
2017 – now
Teacher in Type & Typography at the Publication Station, Willem de Kooning Academy, Rotterdam (The Netherlands)
2015 – 2016
Teacher Calligraphy and Type at the Royal Academy of Arts, The Hague (The Netherlands)
2007 – 2015
Willem de Kooning Academy, Rotterdam (The Netherlands)
It started with teaching typography to a small group of students for a few hours a week. Soon this became a full time position: Head of the Graphic Design Department, assessor, member of the admission board, guiding internships, managing projects, and developing curricula.
Dutch — Native
English — Fluent
German — Conversational
Registered freelance teacher at CRKBO
Cambridge Proficiency in English
Degree for lecturers in universities of applied sciences (in Dutch: Basiskwalificatie Didactische Bekwaamheid or BDB)
Where does my passion for typography come from?
Best way to understand is to read my story. Or better: my love story. I read it to the audience of BNO ImageLab in Rotterdam as a portfolio presentation. It seemed it brought some people an odd tear to their eyes.
It’s quit a long story, which you can read below.
Here’s the short version: I dedicate my life to letters. They are —as the Japanese call it— my ikigai, my reason for living.
‘Really?’ I hear you ask. ‘Yes, really’.
Love letter to the letters
This year we celebrate our 30 year anniversary. And like every marriage, we have had our ups and downs. In love, out love. I am an in-law to your family, married to an out-law.
Yesterday I read somewhere that to have a successful marriage, it is all about minding the little things, to show interest, to keep discovering hidden treasures in the other person.
This was before I met you. I was an observing child, always looking serious and angry at the world. I was raised in an artistic family, both my parents being writers, my grandfather an architect, my grandmother a pianist. As it turned out it became decisive for the way that I’m looking at the world.
I see poetry in everything. Some tiny, insignificant moment can catch my attention and make me wonder. They are what I call ‘OneSeconds’.
One second means the difference between nothing and something. Between silence and music. Between thought and speech.
But what has this to do with you? Well, everything. My observing nature, seeing beauty in unseen things, makes me keep looking at you.
I met you when I was 13 years old. I was introduced to you by my father, who – since he was a writer – used you often. He always wrote by hand, with a pencil. I remember when he broke his right arm, his writing arm, he had to write with his left arm. Of course this was a struggle, but he persisted. His notes laying around the house were not any different from the ones he wrote with his right hand. I asked him how he did this. He went over to the bookcase, and gave me the book ‘Writing, Illuminating and Lettering by Edward Johnston’.
This book told me about you, about your construction, your secrets.
I made my own pen from a goose feather, constructed a writing-desk, and went to the forest to pick the right ingredients for the perfect ink.
It was then that I fell in love with you. I got up early to be alone with you and went to bed too late, because we kept talking. To this day, I’m trying to understand what it actually is that makes you so intriguing.
I have so many questions. So few answers.
So I study you like a doctor. Your bones, your skin, your system.
I found out that your skeleton is strong, curvy, flexible. How it changes when you move from standing up straight to kneeling down. How you adapt to certain conditions and different contexts. How you look when you put on weight or when you are too skinny. When you move, or when you are frozen in time.
I study you like a historian. Where do you come from? How old are you? Who are your ancestors? What was your childhood like? Were you a rebellious teenager? I go to libraries to take pictures of you, my camera is clicking like crazy, turning pages faster and faster.
I like you the most when you are in one of your crazy moods. When everyone else doesn’t take you seriously. That is when I see your purest beauty.
I keep looking for ways to honour you. I create stages for you, the bolder the better, the crazier the better. My inner voice is nagging, doesn’t want to shut up, telling me that there should be better ways to portrait you.
But it’s never enough.
In-law, out-law. In love, out love. Sometimes you drive me crazy. In my third year at the Royal Academy I even left you. Teachers said I spent to much time with you, so I started looking at others. Although they were all really nice and interesting, I didn’t feel the connection I have with you. Sorry I was unfaithful to you, but as the character you are, you took me back, without complaining, without judgement.
So darling, let me end with a poem by RUMI, that explains it all.
I always thought that
I was me — but no,
I was you
and never knew it.